A Child’s “Pure Unclouded Brow”

The quote in the title is from the poem that is the preface to Lewis Carroll’s Through the Looking Glass, and What Alice found There, the sequel to Alice’s Adventures in Wonderland.

I was around 11 years old when my father read the first several lines of the poem to me, but I laughed at the phrase “Child of the pure unclouded brow,” thinking it a joke of some type, along the lines of the humorous poems I read in the first book, such as “You Are Old Father William,” which I mostly understood and thoroughly enjoyed. I finally understood the phrase and my father’s reason for reading it to me upon later observing the wonderments of the world through my own children’s eyes.

What brought the poem to mind was my reading of the preface to Nine-Headed Dragon River, Zen Journals 1969-1982, by Peter Matthiessen. I had read the book around 15 years ago but lost it in transit to Stockholm when I moved here from San Jose, California. I kept the lost book in the back of my mind and found the opportunity to replace it by coming upon another copy while browsing the shelves of BookBuyers during a recent visit to the San Jose area.

I offer, for this week’s column and without further comment, an excerpt from the preface to Matthiessen’s book in juxtaposition with Lewis Carroll’s full poem.

Zen has been called “the religion before religion,” which is to say that anyone can practice, including those committed to another faith. And the phrase evokes that natural religion of our early childhood, when heaven and a splendorous earth were one. But soon the child’s clear eye is clouded over by ideas and opinions, preconceptions and abstractions. Simple free being becomes encrusted with the burdensome armor of the ego. Not until years later does an instinct come that a vital sense of mystery has been withdrawn. The sun glints through the pines, and the heart is pierced in a moment of beauty and strange pain, like a memory of paradise.After that day, at the bottom of each breath, there is a hollow place that is filled with longing. We become seekers without knowing that we seek, and at first, we long for something “greater” than ourselves, something apart and far away. It is not childhood, for childhood is not a truly enlightened state. Yet to seek one’s own true nature is, as one Zen master has said, “a way to lead you to your long-lost home.” Child of the pure unclouded brow
And dreaming eyes of wonder!
Though time be fleet, and I and thou
Are half a life asunder,
Thy loving smile will surely hail
The love-gift of a fairy-tale. I have not seen thy sunny face,
Nor heard thy silver laughter;
No thought of me shall find a place
In thy young life’s hereafter –
Enough that now thou wilt not fail
To listen to my fairy-tale. A tale begun in other days,
When summer suns were glowing –
A simple chime, that served to time
The rhythm of our rowing –
Whose echoes live in memory yet,
Though envious years would say ‘forget’. Come, hearken then, ere voice of dread,
With bitter tidings laden,
Shall summon to unwelcome bed
A melancholy maiden!
We are but older children, dear,
Who fret to find our bedtime near.’ Without, the frost, the blinding snow,
The storm-wind’s moody madness-
Within, the firelight’s ruddy glow,
And childhood’s nest of gladness.
The magic words shall hold thee fast:
Thou shalt not heed the raving blast.
And though the shadow of a sigh
May tremble through the story,
For ‘happy summer days’ gone by,
And vanish’d summer glory –
It shall not touch with breath of bale
The pleasance of our fairy-tale.
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Pippi Longstocking’s Creator, Astrid Lindgren

ASTRID LINDGREN

Other than the benefits of parental love, I cannot think of anything more valuable to a child than to fall in love with a book, or a character in the book, or the book’s author. Love of the author will take the child to more books by the author; love of a character will take the child to more books in a series, where there is one. Astrid Lindgren and her characters and books earned such love and she has, therefore, affected the lives of millions of people who are now grown up and, still, many who are growing up.

Astrid Anna Emilia Lindgren (1907 –2002) was a Swedish author and screenwriter who is the world’s 25th most translated author and has sold roughly 145 million copies worldwide. She is best known for the three book series titled: Pippi Longstocking, Karlsson-on-the-Roof and The Six Bullerby Children. Others of her popular books are:

Emil of Lönneberga
The Bill Bergson series
Ronia the Robber’s Daughter
Seacrow Island
Mio, my Mio; or, Mio, my Son
The Brothers Lionheart

What brings me to write about Astrid Lindgren is that I recently came across a modestly wonderful sculpture of her, by Majalisa Alexandersson, in a small Stockholm park, Tegnérlunden, the same park where I found the magnificent sculpture of August Strindberg about whom I wrote in my article of 16 December 2009 in The Pavellas Perpective.

Astrid is depicted as a storyteller surrounded by several of her figures, including Peter and Petra, Göran and Mr. Liljonkvast, Ylva-Li and others. The sculpture stands under a cherry tree – a setting that accentuates the fairy tale mood, especially when the tree is in bloom. [Source]

Lindgren’s drive to protect the powerless from the powerful also extended to animals, and she became a high-profile advocate of the prevention of cruelty to animals. Lindgren’s campaign, started as a reaction against industrial-scale farming, stirred up public opinion and led to the government announcing the so-called Lex Lindgren animal welfare law as an 80th birthday present for the author.

Lindgren earned many honors and awards in her long life, including grants to artists in her name: In 1967, Rabén & Sjögren established an annual literary prize, the Astrid Lindgren Prize, in connection with her 60th birthday. The prize, 40,000 Swedish Crowns, is awarded to a Swedish language children’s author, every year on her birthday in November. Following Lindgren’s death, the government of Sweden instituted the Astrid Lindgren Memorial Award in her memory. The award is the world’s largest monetary award for children’s and youth literature, in the amount of five million Swedish Crowns. [Source]

I did not read Astrid Lindgren as a child; my focus was on the fourteen books by L. Frank Baum about the adventures of Dorothy Gale and other memorable characters who visited and lived in the Land of Oz and nearby fairylands.

Now when I have the chance to read (in English) to some current or future grandchildren, I will resist the urge to read Oz stories to them so I can learn, by reading to them, about Pipi Longstocking and other beloved characters in the stories of Astrid Lindgren.

Here is a link to all the pictures I took of the statue.

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